Visual Style Atlas
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Classical Art

Symbolism

Symbolism treats the visible world not as a copy of reality but as an entrance into desire, fear, myth, and spiritual experience.

Main period
c. 1870s–c. 1910
Formation
French literary movement in the 1880s, soon international
Core method
Suggestion, association, and subjective form over objective description

VISUAL CUES

  • suggestion
  • metaphor
  • dream imagery
  • mysterious colors
  • spirituality
Start looking↓
An apple interpreted through Symbolist uncanny colour, dream atmosphere, and suggestion
Contemporary interpretation · Visual teaching image

READ THE IMAGE

This apple is no longer only an apple: uncanny light makes it suggest

Violet-blue highlight, deep red skin, and dark space create a psychic atmosphere. This teaching image evokes Symbolism without assigning a fixed code.

  1. 01

    See impossible colour

    A cold violet highlight crosses warm red; colour stops obeying natural light and appears as inward emotion.

  2. 02

    See the object isolated

    Centred and enlarged as its setting retreats, the fruit can evoke temptation, knowledge, life, or taboo.

  3. 03

    Let the background remain uncertain

    Plants and shadow name no place; the space hovers between room, dusk, and dream, resisting closure.

  4. 04

    Let atmosphere precede story

    No complete event occurs, yet darkness, halo, and stillness create expectation for the viewer to complete.

In one sentence

Not fixed meanings attached to objects—
but form awakening ideas that cannot be pictured directly

Named first in French literature of the 1880s, Symbolism soon described artists who rejected Naturalist and Impressionist objectivity. They sought ideas, emotions, and inward experience through myth, scripture, dream, monster, musicality, and unnatural colour. No single style united them: Moreau is jewel-like and dense, Redon's noirs strange and weightless, Puvis simplified and mural-like, while Gauguin used flat colour and contour to construct spiritual space.

VISUAL LANGUAGE

Visual DNA

01

Meaning

Suggestion rather than explanation

Images remain ambiguous so association happens within the viewer.
02

Colour

Subjective, psychic, unnatural

Colour can carry mystery, desire, or anxiety without describing observed light.
03

Subject

Dream, myth, religion, death

Ancient stories and private fantasy reach experiences modern society struggles to name.
04

Form

Flattened or excessively intricate

Simplified fields and dense ornament both detach images from daily reality.
05

Media

Poetry, music, and image correspond

Verse, stage, print, and decoration share rhythm, analogy, and synaesthetic ambition.

Where it came from

In an age of science, city, and material progress, art sought the invisible again

Symbolism answered fin-de-siècle industrialisation, secularisation, and anxiety while inheriting Romantic subjectivity. Its escapes were not apolitical: distant places, women, and so-called primitive cultures often became screens for European male desire and colonial power.

  1. Precursors build languages of myth and dream

    Moreau, Puvis, Burne-Jones, Böcklin, and Redon depart from Naturalism along different routes.

  2. Moréas publishes the Symbolist Manifesto

    The literary movement gains a name around idea, suggestion, and anti-naturalism, soon linked to visual art.

  3. International networks emerge

    Gauguin and the Nabis, Les XX, Rose+Croix, and secessions expand Symbolist practice.

  4. Symbolist languages enter modernism

    Flat colour, psychic image, and dream method shape Art Nouveau, Expressionism, abstraction, and later Surrealism.

ARTISTS & WORKS

Meet it through four works

01

Moreau, Oedipus and the Sphinx

A mythic stare becomes psychic conflict among knowledge, desire, and death; precise detail rejects ordinary reality.
Myth painting
02

Böcklin, Isle of the Dead

A white figure approaches cypress and rock tomb; enclosed silence turns death into sustained mood.
Imagined landscape
03

Gauguin, Vision after the Sermon

Red ground, heavy contour, and flat figures place religious vision beside everyday believers, cancelling natural space.
Synthetist painting
04

Redon, The Cyclops

A giant eye peers over a hill at a sleeping figure; soft colour joins monster, desire, and dream.
Pastel and oil

How to recognise it

Do not reach for a symbol dictionary; see how the work generates association

  • ✓Do colour, proportion, or space depart from observation to express a psychic state?
  • ✓Are myth, religion, dream, or monster recombined rather than merely illustrated?
  • ✓Does imagery remain polysemous, layering desire, fear, death, and spirit?
  • ✓Do images of women, distance, or the ‘primitive’ carry fin-de-siècle gender and colonial fantasy?

STYLE RELATIONS

From the external world toward the inward image

REFERENCES

Sources & image note

The apple interprets Symbolist suggestion through uncanny highlight, isolated form, and uncertain space. It is not a fixed icon and cannot represent every international Symbolism.

  1. The Met: Symbolism ↗
  2. Smarthistory: Gustave Moreau, Jupiter and Semele ↗
  3. The Met: French Prints in the Era of Impressionism and Symbolism ↗